|
On 5th July, 1946 Louis Reard, fashion entrepreneur, introduced a little
creation of his to the world in Paris. Four days prior to this unveiling, the
United States military had conducted a nuclear test on a tiny South Pacific
island. What is the connection? Well without the explosive events at Bikini Atoll, today's
two piece swimsuit might be known as the Atome.
That Louis Reard had been influence by the nuclear
testing is beyond doubt. The atomic explosion was front page fodder throughout
the world. Consequently, by jumping on this news bandwagon, it gave the French
designer a vital edge over rival Jacques Heim. To emphasis the chosen name, the
prototype beach costume was even made from cotton fabric printed with newspaper
text. Reard later pleaded that his creation was named after the atoll and not
the nuclear devastation--a nice act of political correctness. So the Bikini was born. Or was it?
In 1943 the U.S. government, anxious to promote wartime
thrift, had decreed that a 10 per cent reduction in fabric was needed when
making women's swimwear. To achieve this goal, manufacturers took a slice from
the garment's middle and exposed midriffs became the norm. However, the fashion
neither caused much controversy nor persisted after the war. Perhaps,
sacrificing a smidgen of dignity in the cause of patriotism is just not sexy
enough.
Controversy awaited Louis Reard though. In fact, his
bikini was so skimpy, being little more than 30 inches of cloth, that at the
time no Parisian model would wear it. Hence, in order to hit the catwalks, Reard
was forced to introduce Micheline Bernardini (a nude dancer at the Casino de
Paris) to the public at large. Micheline duly performed and subsequently
received over 50,000 fan letters. In it's turn, the bikini outshone the rival
Atome, promoted by Jacques Heim as the "world's smallest bathing
suit".
Worldwide reaction was instant. Contemporary comment
described the two piece swimwear as revealing everything about a women except
her maiden name. The garment was quickly banned in many Catholic countries.
Hollywood was urged to keep the movies bikini free. Even Esther Williams, the
swimming superstar, proffered: "A bikini is a thoughtless act." Later,
American magazine "Modern Girl" proclaimed: "It is hardly
necessary to waste words over the so-called bikini since it is inconceivable
that any girl with tact and decency would ever wear such a thing." Reard
countered the criticism with the marketing slogan that a two-piece suit wasn't a
genuine bikini "unless it could be pulled through a wedding ring." It
was all good for business.
Since those early days, the bikini has undergone many
phases in its development. In 1951, bikinis, were seen as giving an unfair advantage
to the wearer and were banned from beauty pageants. However, in 1957 the
beautiful Brigitte Bardot placed her faith (along with her charms) in the
bikini, starring in the European film "And God Created Woman."
In 1960, the bikini received another boost when American
pop singer, Brian Hyland, immortalized the suit with his "Itsy-Bitsy-Teenie-Weenie-Yellow-Polka-Dot
Bikini". The hit record triggering a bikini-buying spree among American
teenagers. In 1963, the film "Beach Party" was the first
major Hollywood production to dwell on the theme of pretty girls dancing around
in bikinis. Six sequels followed this concept, notably the 1966 production of
"How to Stuff a Wild Bikini."
In 1964, a rival, the monokini, emerged. This bra-less
design has been credited to Rudi Gernreich. However, despite the Vatican
denouncing the topless swimsuit, only about 3,000 costumes were sold in Europe
during that summer season and the bikini remained predominant. During the 1970's, the tanga suit emerged from the
shores of Rio and St. Tropez. Also known as the thong, the string bikini or the
dental floss, this garment has generally proved too uncomfortable for the wearer
and the bottom soon dropped out of the market. Today, this bikini derivative
only seems to survive as a useful tool in the hands of the advertising media.
During the 1980's, the bikini's appeal seemed to be on the
wane. Sales slumped to less than 33 per cent of the swimming costume market. In
1988, the inevitable happened and Reard's company closed down. At the time, it
looked as though the bikini was doomed. The design desperately needed another
explosive event to bring it back to the forefront of the public's attention.
During the 1990's, two such events have occurred. Firstly,
the sport's bikini, a halter-top design, became the teenage vogue garment in
1993 America due to MTV and volleyball queen, Gabrielle Reece. Secondly, the
"Baywatch" factor has kicked in. The overwhelming popularity of "Baywatch" has
done much to resurrect the fortunes of the bikini. The creators of this mediocre
television series have not just been exporting bland dribble to five continents,
they have also been responsible for bikini saturation exposure. The skimpy
design has now gained a worldwide, peak-viewing time audience in the world's
most popular media. "Baywatch" babe, Gene Lee Nolin, has even hosted a
film entitled "History of the Bikini", a documentary uncovering the
swimwear sensation that scandalized the fashion world after its invention in
1946.
Today, technology has joined forces with the bikini.
"Bikini" is one of the Internet's most popular search words and a new
breed of surfer is now enjoying the view. Online, there is even a Bikini TV site
that promises: "24 hour, 365 day per year, bikini-rich sponsored
programming with 1/2 of all the profits funding education!"
But, what of the original Bikinian people who spawned the
name, bikini? In the late 1950's, an agreement was signed between
the Bikinians and the U.S. government. Full territorial rights to Bikini Atoll
were restored to the Bikinians and the U.S. was protected against any future
legal action or damages claims. In return, the U.S. government paid $25,000 in
cash and an additional $300,000 into a trust fund which was designed to yield
approximately $15 per person, per year to the Bikinians - today, not even enough
to buy a two piece swimsuit! |